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The Offering previews from March 19, opens
Saturday, March 25 and runs to April 9 at Artword Theatre,
75 Portland Street.
Tues-Sat. at 8 pm -- $18 to $23 (some discounts
available)
Sunday matinees at 2:30 pm -- PAY-WHAT-YOU-CAN. Previews
$9.99.
Call the Box Office at (416) 408-2783.
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The Offering, a modern investigation of tradition
and lineage, tells the story of a family through its fathers
and sons. This new three-act play examines the cost of
identity and patriarchy, and a familys struggle
between distance and closeness as sons age into
fatherhood.
Covering
four generations, the play opens with the story of Isaac,
taken to a mountain top to be sacrificed by his father. It
continues with the story of Isaacs sons, Jacob and
Esau, who deceptively compete for their blind fathers
blessing. It ends with the story of Jacob meeting his own
estranged son, Joseph, exiled in a foreign land working for
its ruler.
The
cast includes Gary Reineke (Factorys A Short
History of Night), Mark Ellis (Solar Stages The
Man of Destiny) and Dean Gilmour (Theatre
Smith-Gilmours Chekhovs Shorts). James
Cameron is the set and costume designer and Stephen Souter
is the stage manager.
Anton
Piatigorsky studied playwrighting with Paula Vogel, Aishah
Rahman and Steven Weeks at Brown University, where he
graduated with a degree in religious studies. He has since
studied and worked in New York, Jerusalem and Toronto, where
he now lives.
Chris
Abraham, a graduate of The National Theatre Schools
directing program, is a director, designer and dramaturge.
He is artistic director for Go Chicken Go, a highly lauded
theatre company producing uncompromising versions of
contemporary classics and the best in new drama.
The
Offering is the fourth time Abraham has directed
Piatigorskys work. Their earlier collaborations, which
received rave reviews from both critics and audiences,
include Easy Lenny Lazmon (four-time 1998-1999 Dora
Award winner including Best New Play, Outstanding Production
and Outstanding Direction), The Kabbalistic
Psychoanalysis of Adam R. Tzaddik (winner of the 1998
SummerWorks Prize for best production of an original play
and a sold-out run at ASHKENAZ 99) and Mysterium
Tremendum (1999 Toronto Fringe Festival hit).
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