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Preview: Wednesday July 31,
2002 at 8:30 pm. Tickets $20
NO SHOW Thursday Aug 1 (due to Caribana
festivities)
Opens Friday Aug 2 and runs to Sunday Aug 11
Shows Tues to Sat at 8:30 pm, Sundays at 2:30 pm.
Tickets $35.
Advance phone reservations: 416-366-7723 (St. Lawrence
Centre Ticket Line)
OR Advance tickets on sale at A Different Booklist,
746 Bathurst St. just south of Bloor
OR Tickets at the door on sale at Artword Theatre one hour
before a show ONLY
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Winner of Five Cacique
Awards 1994: Best Play, Best Director, Best Music, Best
Actress, Best Supporting Actress
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Last July, Jean and Dinah delighted Toronto
audiences at Artword. Now they're back, this time for two
weeks over Caribana.
The play
starts on jouvay morning, the dawn of carnival morn, and
Jean comes to take her friend Dinah to play mas as they
usually do for the past forty years and more. However, this
year Dinah is tired and ailing, she would not go. Jean tries
to rally her into making their annual pilgrimage of the
streets, as they play the perennial sailor mas. In the
ensuing battle to get Dinah out of bed onto the streets of
Port of Spain, both women discover things about themselves
that shaped the outcome of their lives. But more than that,
Dinah wants Jean to the reveal the part she played in her
(Dinah) subsequent blindness. She wants Jean to accept
responsibility of the steelband clash and the bottle-pelting
incident that caused her blindness.
This
tragicomedy is set in present Port of Spain Trinidad: Act
one. In Act two, the characters take us some forty years
back on the streets of Port of Spain. Jean and Dinah is
loosely based on the calypso "Yankees Gone" also known as
"Jean and Dinah" sung by the Mighty Sparrow in 1956. The
young calypsonian propelled to stardom when he won the
calypso competition that year with his selection. The song
with its catchy chorus:
Jean and Dinah Rosita and Clementina
Round the corner posing, bet your life
Is something they selling
And if you catch them broken
You can get them all for nothing
Don't make a run, the Yankees gone
And Sparrow take over now.
According to Rhoma Spencer who created the role of
Dinah,"the song was a male commentary on the Yankees
influence over the local girls in post World War II
Trinidad. Since 1956, the song has made an indelible stamp
on the nationalist movement of Trinidad and Tobago.
Trinbagonians had came to recognize the song as a commentary
on prostitution, yet we never got a response from the women
of this song. A male point of view was placed on the table
and we came to revel and celebrate in its popularity". The
play, "Jean and Dinah
Who Has Been Locked Away In A
World Famous Calypso Since 1956 Speak Their Minds Publicly",
is a bold attempt to hear the women's point of view in this
matter of "cultural imperialism". Their stories are an
emotional roller coaster of laughter, pain and sorrow.
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