Category Archives: Hamilton

To do with Hamilton, Ontario, where we live, and where Artword Artbar is located.

Photos from Once I Lived in the Box

Some photos taken last night (February 4, 2016) of Learie Mc Nicolls’ Once I lived in the Box, at Artword Artbar.

Dancers: Angelo Del Franco, Sharon Harvey, Tanis Macarthur and Learie Mc Nicolls. Music by Edgardo Moreno and lighting by Judith Sandiford.

One more performance, tonight February 5, 2016, at 8 pm.

 

 

Building Dance in Hamilton

Rehearsal photo, "Once I lived in the Box", L to R: Angela Del Franco, Tanis Sydney Macarthur, Sharon Harvey

Rehearsal photo, “Once I lived in the Box”, L to R: Angela Del Franco, Tanis Sydney Macarthur, Sharon Harvey

Artword is presenting Once I Lived in the Box by Learie Mc Nicolls February 3 – 5. I know Learie’s work, and I know the dancers (Angela Del Franco, Tanis Macarthur and Sharon Harvey). I know Judith Sandiford very well, who is directing and designing the lighting that throws those beautiful shadows you see in the photo. This will be a very fine piece of dance drama.

There is hardly any contemporary dance in Hamilton yet. Will people come? There is a fundamental principle in entertainment: people go to what they know.

When Learie came from Toronto to Hamilton, he asked “where is the dance?” I told him it was up to us to build it. Learie did two theatre/ spoken word pieces that incorporated dance: Resurrection at The Pearl Company and Transformation at Artword in the Fringe.

Now this is the big step. This is a full-length dance piece, choreographed by Learie with three highly skilled professional dancers, and of course Learie himself. It has a powerful theme, delivered through intense physical movement.

There are years (decades!) of training, and months of rehearsal behind what you see on the stage. Learie Mc Nicolls has an international reputation. This is a stunning show. Come and see it!

 

 

 

Why Hydro One should not be privatized

Hydro One Voltage Lines in Woodbridge Ontario, photo Tom Stefanac, from Wikipedia

Hydro One Voltage Lines in Woodbridge Ontario, photo Tom Stefanac, from Wikipedia

The privatization of Hydro One is a terrible idea, for many reasons. There is one argument that I have not seen in the press, and I’d like to present it now.

The idea that retaining the single largest portion of shares guarantees control is naive. The danger is not total loss of ownership. The danger (and inevitable effect) is that on an ongoing basis decisions will be weighed in terms of what the shareholders will think. Will they sell? Will the value go down? Up? The corruption is not in the gross effect, but in the innumerable details of policy driven by a financial system that is out of control.

When any company goes public and sells shares, a new element is introduced that often overrides everything else: shareholder value. When shareholders are added, the need to keep the value of the shares continually rising overrides everything else. The market is extremely sensitive, volatile and focused on the short term. This becomes the primary driver of policy.

A government should be making policy in the best interests of its citizens. It also has a responsibility to its suppliers, part of keeping the economy healthy. It should not be making policy to satisfy the needs of investors staring at their computer screens and deciding whether or buy or sell.

Cycling in London, with Boris Bikes

BorisBikes

Boris Bikes at Hyde Park, photo by ZanMan (from WikiMedia)

This visit, I decided to try cycling in London.

When I first went to London, many years ago, the traffic was scary. The streets were filled with cars tearing around corners at high speed, especially cabs. And, of course, for a Canadian visitor, these cars came rushing from behind as you peered carefully in the wrong direction. Tourists were picked off like flies.

As the decades passed, London became more friendly to pedestrians and cyclists. Street crossing islands sprang up, with traffic lights, and “look left” or “look right” painted on the streets. Mayor Ken Livingstone (“Red Ken”, bête noire for Maggie Thatcher) instituted a hefty congestion charge for the core, which reduced traffic to manageable proportions. He also lowered fares on the buses and underground, which actually increased revenues, but after his term the prices went up again. The Millennium Walk transformed the south bank of the Thames.

And in 1910, the Barclay Bikes appeared, quickly dubbed ” Boris Bikes” after the Mayor, Boris Johnson, who (though Conservative) was an enthusiastic advocate of biking. Barclay’s Bank was the sponsor from 2010 to 2015, but now it’s Santander Bank, though most of the bikes still say “Barclays”.

Biking is big in downtown London now. There are hundreds of bikes whizzing along the roads, seemingly getting along pretty well with the autos, lorries and buses.
Bicycle lanes are quite frequent in the core. There are also two-lane “cycle superhighways” from the more outlying districts.

Generally speaking, the cyclists are well-behaved. London cyclists never ride on sidewalks, tempting as it often is. They usually signal and stay well to the left. And the motorists are generally patient, even when they have to go a little more slowly than they would like.

It’s easy to use the Boris Bikes, and no commitment is required. You can just stick you debit or credit card in a slot, and the machine spits out a 5-digit access code. You go to the bike of your choice (they’re all the same) and key in the code. Then you jerk the bike out and ride away. The bikes are solid, with a “step through” frame, and three gears. There’s a small luggage rack for parcels, secured with bungee cords. For two pounds, you have 24-hour use, but you can only keep out a particular bike for a half-hour, before returning it to some other docking station. You can keep it longer, but there’s an extra 2 pounds on your card. The idea is to keep all the bikes in use, rather than sitting somewhere while the rider is shopping or visiting the British Museum.

You can also register online for 24 hours, 7 days or a year. For 3 pounds you get a key, and you can pick up a bike anytime during the selected period. I’m sure that if I am there long enough, I would buy a key, but I think that it is wonderful that you can try the system out in such a casual way. The costs are the same.

I’m very intrigued by the new sobi bikes in Hamilton. I own a bike, but I will sign up just to try it out.

I think, though, that the comparison with the Boris Bikes is interesting. The sobi bikes cost $4.00 per hour; Boris Bikes $4.00 (2 pounds) for 24 hours. And you don’t have to sign up in advance. Just saying.

 

Learie Mc Nicolls in Transformation at Artword Artbar

Learie McNicolls in Transformation at Artword Artbar

Learie McNicolls in Transformation at Artword Artbar

Learie Mc Nicolls confronts the demons of poverty, violence and fear in his powerful new work, Transformation: a Journey of the Soul’s Healing, at Artword Artbar, March 25 and 26, 2015, at 9:00 pm. An Artword Theatre production, directed by Ronald Weihs, Transformation combines dance, spoken word, soundscape and visual images, to present one man’s struggle to come to terms with his troubled Trinidad childhood and redeem the forgotten child inside him. The live musical soundscape is by Dale Morningstar, founder of the experimental blues-rock band, The Dinner is Ruined. Visual design is by Judith Sandiford.

Learie Mc Nicolls in Transformation at Artword Artbar

Learie Mc Nicolls in Transformation at Artword Artbar

Learie Mc Nicolls has been a key figure in the contemporary dance scene in Toronto since the 1980s. He has danced with Toronto Dance Theatre, Desrosiers Dance Theatre, Dancemakers, the National Ballet of Cuba, and his own company, Mythmakers. As a solo dancer, he has been exploring the combination of dance with spoken word, to create a powerful new form of theatrical presentation. His Toronto production, Armour, took two Dora awards for Outstanding Choreography and Outstanding Performance.
A year ago, he moved to Hamilton, where he is devoting himself to help build the contemporary dance scene here. In May, 2014, he performed Resurrection at the Pearl Company, and choreographed the dances in Artword Theatre’s second production of James Street. He has created an ongoing series of showcase dance productions at Artword Artbar called Big Dance Little Stage, featuring dancers from Hamilton and Toronto over two nights. There have been four BDLS productions, June, September and November 2014, and February 2015. He has recently opened a dance studio downstairs at Artword Artbar.

Learie Mc Nicolls

Learie Mc Nicolls

Transformation takes the dance/spoken word paradigm to a new level. Ronald Weihs as director, and Judith Sandiford as designer, pushed Learie to incorporate methods based on their approach to theatre. Together, the three of them analyzed Learie’s poems from a theatrical point of view, finding characters and situations that needed to be brought to life. Learie was fine with this, because he is also an actor.
The three collaborators also drew on their experience with Big Dance Little Stage, where Judith Sandiford improvises with projected images and musicians create soundscapes to interact with dancers. It was through BDLS that they became acquainted with Dale Morningstar, who provides improvised music for his wife, dancer Megan English. In addition to his work as a musician, Dale is perhaps best-known as co-founder of The Gas Station Recording Studio, “the hub of the Canadian indie rock sound”, now located at Gibraltar Point on Toronto Island. He and Megan now live in Hamilton.
Transformation: A Journey of the Soul’s Healing will be Artword Theatre’s contribution to the Hamilton Fringe, July 2015, with Artword Artbar as a Bring Your Own Venue.
The Artword team, Ronald Weihs and Judith Sandiford, created and ran Artword Theatre in downtown Toronto for twelve years before coming to Hamilton in 2007. Weihs and Sandiford have had long experience with one-person plays, including three by Charlie Chiarelli, Cu’Fu, Mangiacake and Sunamabeach, Allan Merovitz’s If Cows Could Fly, and Donald Carr’s The Full Nelson. Judith Sandiford has designed and lit dance productions with Meiko Ando, Michael Du Maresq, Leanne Dixon, Hedy Minten, Daryll Tracy, Bonnie Kim and Donald Carr. Artword Theatre’s original multi-cast productions in Hamilton include You Are What You Do, Langston Hughes vs Joe McCarthy, Rascals and Numskulls, Tobacco Troubadour, James Street and Scroogissimo. They own and manage the popular Artword Artbar, featuring music of all varieties, theatre, poetry and spoken word four nights a week, Wednesday to Saturday.
Transformation: A Journey of the Soul’s Healing
An Artword Theatre production
written by Learie Mc Nicolls
choreographed and performed by Learie Mc Nicolls
directed by Ronald Weihs
original music performed by Dale Morningstar
visuals by Judith Sandiford
produced and designed by Judith Sandiford
Performances at Artword Artbar, 15 Colbourne Street
Wednesday and Thursday, March 25 and 26, 2015, at 9:00 pm.
Tickets: $10