NEW! James Street, a musical dash through Hamilton history, Nov 29-Dec 8, 2012

james_street_smallNovember 29 to December 8, 2012. James Street: A mad musical dash through the history of Hamilton: Artword Theatre’s second production in its 2012-13 season at The Lyric is James Street, a light-hearted look at downtown Hamilton, from the founding of the town to the present day. Featuring a cast of six plus two onstage musicians, James Street is a patchwork quilt of colourful characters and amusing incidents.
Written and directed by Ronald Weihs
Songs written and performed by Mark McNeil
Cast: Charly Chiarelli, Valeri Kay, Gordon Odegaard, Ryan Sero, Jeremy Shand, Abigail Veenstra
Produced and designed by Judith Sandiford
Associate Director: Ryan Sero

The play, a new original play written and directed by Ronald Weihs, uses an inventive ensemble approach in which actors play multiple roles, and scenes change in a flash. Songs are by Mark McNeil, one of Hamilton’s finest singer-songwriters and a well-known journalist for the Hamilton Spectator. Charly Chiarelli plays a modern Hamiltonian who magically encounters a famous figure from the 1840s – Paola Brown, a leader in Hamilton’s black community and Hamilton’s official town crier (played by Jeremy Shand). After some initial sparring about who is in whose dream, the two find themselves witnesses to (and sometimes participants in) a fast-forward gallop through life on James Street.
They see how pioneer dentistry was done, witness George Hamilton and his cronies (Hughson and Durand) plot out the town, watch a farmer advertise for a wife “with a good back”, drop into Billy Carroll’s cigar shop and bookie joint to bet on the first Around the Bay Race, take a ride on the new Electric Railway – all depicted by Valeri Kay, Gordon Odegaard, Ryan Sero, and Abigail Veenstra. Mark McNeil appears onstage with guitar as a street singer, with his buddy Ron Weihs on fiddle.

Thursday to Saturday at 8 pm, Nov 29, 30, Dec 1, 6, 7, 8, 2012
Venue: The Lyric Theatre, 434 King W, near Locke Street, (905) 527-6135.
Thurs: $19 regular, $16 seniors/students; Fri & Sat: $25 regular, $16 students/seniors


Two World Wars

There is a sequence honouring Hamilton’s soldiers through two World Wars. Mark’s song, “Private Riley”, imagines a universal soldier in the Royal Hamilton Light Infantry (RHLI), who fights in every engagement, from the Fenian raids to present-day Kandahar. The Rileys have adopted the song to celebrate their 150th anniversary, and are releasing a video, with the Regimental band playing along with Mark.

As the play approaches present day, the cast members recount some of the memories collected for the Spectator: the old Eaton’s at Christmas, the arrival of the trains at the CNR station, the creaky escalators in Zellers, Willie the elevator operator, the popcorn seller, the open-air market, climbing the James Street steps up the mountain, and a long father-son walk up the length of James Street.

Where the Idea Came From

The idea for James Street arose in 2010, when Mark was working on a special edition of The Spectator featuring a section about James Street. Mark had seen other plays by Artword Theatre (Rascals and Numskulls, Tobacco Troubadour) that used real events to create entertaining theatre. He suggested that Artword produce an original play, partly based on the first-person stories he was collecting and partly on other historical sources, to open when the special edition was published. Ron loved the idea, but not the time-frame, and so James Street, the play, became a project on its own.

The newspaper section featured a lengthy interview with the Hamilton’s best-known storyteller, Charly Chiarelli, whose one-man shows about growing up in the Sicilian North End, Cu’Fu and Mangiacake have been performed across Canada and in Europe and shown as films on Bravo Television. Wouldn’t it be great, Mark said to Ron, if Charly could be in the show? Ron had directed both Cu’Fu and Mangiacake, as well as the latest addition, Sunamabeach, so this arranged. Charly is happy to be in a show where he doesn’t have to do all the talking.

Artword Theatre

The Artword team, Ronald Weihs and Judith Sandiford, ran Artword Theatre, a facility in downtown Toronto, producing many plays of their own, for twelve years before coming to Hamilton in 2008. They produced four original plays at the Pearl Company in 2008-09: You Are What You Do, Rascals and Numskulls, Sunamabeach (by Charly Chiarelli) and Tobacco Troubadour . In 2009, Ron and Judith bought a little sports bar on Colbourne Street, just off James North, and turned it into the popular Artword Artbar, featuring music of all varieties, theatre, poetry and spoken word four nights a week, Wednesday to Saturday.

When Patrick Brennan announced plans for converting the Westside Concert Theatre into the new Lyric Theatre, he got in touch with Ron and Judith right away, offering to co-produce four shows with them. It was a delightful offer that Artword could not refuse. Artword Theatre is presenting four productions in the 2012-13 season: 1812-The Songbook (October 18 – 20), James Street (November 29, 30, December 1, 6, 7, 8), If Cows Could Fly (January 30 to February 3) and Tobacco Troubadour (May 2, 3, 4, 9, 10, 11).

For more information, contact Judith Sandiford, artword@artword.net,

905-543-8512, cell: 905-912-9083
Artword Theatre
Artistic Director: Ronald Weihs
Managing Director: Judith Sandiford

Artword Theatre also runs Artword Artbar, 15 Colbourne Street Hamilton, www.artword.net/artbar.

 

Posted in 2012-13 Season at Lyric, James Street | Comments Off on NEW! James Street, a musical dash through Hamilton history, Nov 29-Dec 8, 2012

1812: The Songbook, Oct 18-20, 2012

what_the_folk_1812TheSongbook_mini_legalOctober 18-20, 2012. Artword Theatre presents 1812: The Songbook, a rollicking sing-along in music hall style (Artword @The Lyric) . Hamilton’s popular folk ensemble What the Folk (Terry Ball, Geoff Ball, Carolyn Reid, Caroline Olsen, and drummer Eric Hanenberg) sing songs about the War of 1812, and play a variety of instruments. The audience is invited to join in. Yes, there will be songbooks, with lyrics of the period songs and anecdotes about the war, and in cabaret style, beverages available to warm up the throat.
Researched, assembled and scripted by Judith Sandiford and Ronald Weihs. Produced by Artword Theatre.
Music arrangements by What the Folk.

Venue: The Lyric Theatre, 434 King W, (905) 527-6135. Thurs-Sat at 8 pm Thurs: $19 regular, $16 seniors/students, Fri & Sat: $25 regular, $16 students/seniors.
Ticket (905) 527-6135 or http://tickets.lyrichamilton.com/

What The Folk? are a multi-talented group of seven singers/instrumentalists. They play a range of folk-based and classical music, ranging from instrumental celtic pieces to a capella songs with full-blown four-or-more-part harmonies. They play traditional tunes, songs of war, and covers of more recent artists like Stan Rogers and Great Big Sea. Who are “What The Folk?”: Geoff Ball guitar, cello, vocals; Terry Ball vocals, violin, guitar, viola; Caroline Olsen vocals, violin, viola; Carolyn Reid vocals, flute. They are joined by Eric Hanenberg for some military drumming.

Battle of Queenston Heights

Upon the heights at Queenston, one dark October day,
Invading foes were marshalled in battle’s dread array ;
Brave Brock looked up the rugged steep, and planned a bold attack,
“No foreign flag shall float,” said he,
“Above the Union Jack ! ”

His loyal-hearted soldiers were ready, every one,
Their foes were thrice their number but duty must be done.
They started up the fire-swept hill with loud resounding cheers,
While Brock’s inspiring voice rang out
“Push on York Volunteers ! ”

But soon a fatal bullet pierced through his manly breast,
And loving friends, to help him, around the hero pressed ;
“Push on,” he said, “do not mind me,” and ere the setting sun,
Canadians held the Queenston Heights,
The victory was won.

Each true Canadian patriot laments the death of Brock.
Our country told its sorrow in monumental rock ;
And if a foe should e’er invade our land in future years,
His dying words will guide us still
“Push on brave volunteers ! “

Posted in 2012-13 Season at Lyric | Comments Off on 1812: The Songbook, Oct 18-20, 2012

Artword Theatre Announces 2012-13 Season at the new Lyric Tbeatre

Artword Theatre Announces 2012-13 Season at the new Lyric Tbeatre

Artword Theatre is back in action in Hamilton, presenting a series of four productions at the new Lyric Theatre on King Street at Locke.

The Artword team, Ronald Weihs and Judith Sandiford, ran a successful theatre facility in Toronto for twelve years before coming to Hamilton in 2008. Artword Theatre produced four original plays at the Pearl Company in 2008-09. Then Ron and Judith bought a little sports bar on Colbourne Street, just off James North, and turned it into the popular Artword Artbar, featuring music of all varieties, theatre, poetry and spoken word four nights a week, Wednesday to Saturday. When Patrick Brennan announced plans for converting the Westside Concert Theatre into the new Lyric Theatre, he got in touch with Ron and Judith right away, offering to co-produce four shows with them. It was a delightful offer that Artword could not refuse.


#1: Artword’s season kicks off October 18 to 20, 2012 with 1812 – The Songbook, a rollicking sing-along in music hall style. Hamilton’s popular folk ensemble What the Folk (Terry Ball, Geoff Ball, Carolyn Reid, Caroline Olsen and drummer Eric Hanenberg) sing songs about the War of 1812, and the audience is invited to join in. Illustrated songbooks with the lyrics, and interesting anecdotes about the war, are passed out before every show. Judith Sandiford’s dedicated research unearthed a treasure-trove of rousing songs from the period, assembled and scripted by Sandiford and Ronald Weihs.  Music arrangements are by What the Folk. The show is in cabaret format, with beverages available to loosen up the throat.

Thursday to Saturday at 8 pm, October 18 to 20, 2012
Thurs: $19 regular, $16 seniors and students
Fri & Sat: $25 regular, $16 students and seniors
Venue: The Lyric Theatre, 434 King W, near Locke Street, (905) 527-6135.


#2 From November 29 – December 8, Artword presents James Street, a light-hearted look at the history of Hamilton. Written and directed by Ronald Weihs, with music by Mark McNeil, James Street features Charly Chiarelli – whose stories about growing up Sicilian in Hamilton introduced the North End to the world. Charly plays a modern Hamiltonian who mysteriously encounters a legendary figure from Hamilton’s early days – Paoli Brown, town crier and one of the leaders of Hamilton’s African-Canadian community.  Together they witness a headlong and hilarious dash through Hamilton’s history as sketched out by an ensemble of actors. Mark McNeil, a well-known journalist around town, is also a talented songwriter and master of multiple guitar styles. He plays an ever-present street musician, who is joined by other members of the company for different musical numbers. The design, by Judith Sandiford, features a street stretching the length of the theatre, and a tumultuous streetcar ride.

Thursday to Saturday, 8 pm, Nov 29, 30, Dec 1, 6, 7, 8, 2012
Venue: The Lyric Theatre, 434 King W, near Locke Street, (905) 527-6135.
Thurs: $19 regular, $16 seniors and students
Fri & Sat: $25 regular, $16 students and seniors
Preview: Wednesday, Nov 28 at 8 pm, all tickets $10


#3. January 30 to February 3, 2013. If Cows Could Fly, Allan Merovitz’s musical play about growing up Jewish in Smith’s Falls,  is a perennial Artword favorite. Allan is known internationally as an interpreter of Klezmer and Yiddish songs, and If Cows Could Fly is full of that infectious music. Directed and developed by Ronald Weihs, Cows has seen several Toronto productions, at Artword Theatre and the Ashkenaz Festival at Harbourfront. The production features an live Klezmer Ensemble directed by Frank Rackow. An Artword production in 2008, originating in Hamilton, had a highly successful run in Ottawa, in the inaugural season of the Irving Greenberg Theatre Centre. Patrick Langston of the Ottawa Citizen said “don’t miss this show”, and Alvina Ruprecht of the CBC said “I laughed, I cried, I had a wonderful time”.

Wednesday to Saturday at 8 pm, Jan 30 – Feb 2, 2013, Sunday matinee Feb 3 at 2 pm, 2013.
Venue: The Lyric Theatre, 434 King W, near Locke Street, (905) 527-6135.
Wed, Thurs & Sun: $19 regular, $16 seniors and students
Fri & Sat: $25 regular, $16 students and seniors


#4. Artword’s spring offering is a revival of Tobacco Troubadour, May 2 – 11, a coming-of-age musical based on the songs of J.P. (Paul) Riemens, written and directed by Ronald Weihs. Paul grew up as a “bunkhouse brat” in the tobacco fields of Ontario. Shortly after Ron and Judith arrived in Hamilton, they heard J.P. Riemens and the Barflies play in concert. Struck by the rich storytelling quality of the songs, Ron approached Paul that very night, and Tobacco Troubadour was born. The play begins with J.P. and the Barflies playing a concert, when suddenly actors emerge and a tender love story starts to unfold, weaving in and out with the songs that inspired the play.  The original production in April 2009 was called “truly great” by View Magazine, with “memorable songs, compelling performances and characters that we care about”.  The production was taken to Delhi, in the heart of the Tobacco region, in July, 2009, to packed houses.

Thursday to Saturday at 8 pm, May 2, 3, 4, 9, 10, 11, 2013
Venue: The Lyric Theatre, 434 King W, near Locke Street, (905) 527-6135.
Thurs: $19 regular, $16 seniors and students
Fri & Sat: $25 regular, $16 students and seniors


Seasons tickets are available at $68 for all four plays, or $49 for any three plays. Call Artword Theatre at 905-543-8512 for details.

For more information, contact Judith Sandiford, artword@artword.net,
905-543-8512, cell: 905-912-9083

Artword Theatre
Artistic Director: Ronald Weihs
Managing Director: Judith Sandiford

artword@artword.net, www.artword.net, 905-543-8512, cell: 905-912-9083
Artword Theatre also runs Artword Artbar, 15 Colbourne Street Hamilton, www.artword.net/artbar.

Posted in 2012-13 Season at Lyric, If Cows Could Fly, James Street, Tobacco Troubadour | Comments Off on Artword Theatre Announces 2012-13 Season at the new Lyric Tbeatre

“Cu’Fu?” by Charly Chiarelli, Dec 7-17, 2011

Dec 7 to 17, 2011. Have a Cu’Fu Christmas with Charly Chiarelli. Calogero (Charly) Chiarelli is coming back to Hamilton, with a Christmas cabaret version of his international theatrical hit Cu’Fu (So Who Did It?), about growing up Sicilian in Hamilton’s North End. You’ll laugh, you’ll cry, you’ll love it. Directed by Ronald Weihs and produced by Judith Sandiford.

Artword Artbar, at 15 Colbourne Street, is two blocks from where Charly grew up. Ronald Weihs and Judith Sandiford, who run Artbar Artbar, produced and directed the first productions of Cu’Fu? So Who Did It? in their Toronto theatre, where it was filmed for Bravo Television. Charly has performed Cu’Fu across Canada, from Halifax to Vancouver, from his home town Hamilton to Yellowknife, Northwest Territories — and in Italy, in Italian. The Edmonton Journal called him “the Sicilian Spalding Gray, or the Hamilton Mark Twain”.

Show times and tickets: Wednesday to Saturday, December 7-10 and 14-17, 2011.
All shows 8 pm (except Friday December 9 show at 10 pm).
Early-bird tickets are available at $10 until November 30. Advance tickets, from December 1 to 6 are $12. Reservations after Dec 6 and tickets at the door are $15.
Friday, December 9 is Artcrawl on James Street North. Instead of the regular start time, there will be a post-crawl performance at 10:00 p.m., no reserve tickets, all tickets $10 at the door.

 

Posted in 2011 at Artword, Cu'Fu? (So Who Did It?) | Comments Off on “Cu’Fu?” by Charly Chiarelli, Dec 7-17, 2011

Behind the Kiln, 15 episodes from 2010 to 2012

Behind the Kiln, 15 episodes of dance, music and visual improvisations, from January 28 2010 to April 13 2012

What is Behind the Kiln? A project by Tanis Macarthur (dancer/choreographer) and Judith Sandiford (designer/live image improvisor), for on-going occasional evenings of improvised collaborations by dancers, musicians and a V-jay mixer. The idea is to pair up at least one dancer with at least one musician, and see what happens.
Why does Tanis call it Behind the Kiln? If you leave wood to dry behind the kiln, it warps into all kinds of strange unpredictable shapes. As Tanis puts it, “This event is all about the interaction between artists. It’s not about blowing the audience away with high kicks and spins and intricate choreography. It’s more about small delights. Subtle but powerful communication. and, of course, play. Experiential rather than sensationalistic.”

Behind the Kiln #1, Thursday January 28, 2010 at 8 pm, pwyc. The prototype. Performers confirmed so far for Jan 28 include Tanis Macarthur and Anne Milne (dance) and Judith Sandiford (projections), musicians Annie Shaw and Sarah Good on vocals and feedback loops, Orange McFarland on stand-up bass, Jennifer Lockman on piano.

Behind the Kiln #2, Saturday July 24, 2010 at 8 pm. $5. An evening of improvisations between dancers, musicians and artists. Collaborators include dancers Tanis Macarthur, Laura Kappel, Anne Milne,  musicians Eugene Martynec on laptops, Brian Ropcean on percussion, Orange McFarland on standup bass, Ron Weihs on fiddle, with Jeff Seffinga text and vocals, projections by Judith Sandiford on real-time video-mix software. Solos, duos, trios and all of the above.
Why is the evening called Behind the Kiln? ­ Tanis explains: “If you leave wood to dry behind the kiln, it warps into all kinds of strange unpredictable shapes.”  We did a prototype evening back in January and now we want to warp unpredictably again!

Behind The Kiln #3,  Thursday November 25, 2010  at 9:30, an evening of real-time collaborations between dancers, musicians and artists. (Photos by D.Delgado July 24 session.) Collaborators so far include dancers Tanis Macarthur,  Anne Milne,  musicians Orange McFarland (standup bass), Jennifer Lockman (piano), Tom Shea (guitar), Ron Weihs (fiddle), with projections by Judith Sandiford on real-time video-mix. Solos, duos, trios and all of the above.

Behind the Kiln #4, Thursday February 10, 2011 at 8 pm, pwyc , an evening of improvised dance, music and visuals. This one takes as its jumping-off point (could mean that literally, you never know with dancers) “Smoky Romance of the Femme Fatale“, an exhibition of vintage party dresses from the 50s to 80s curated by collector Andrea Liss (in the installation gallery through February). Dancers: Liz Bates, Grace Loney, Tanis Macarthur, Orange Mcfarland. Musicians: Jennifer Lockman, Tom Shea, Orange Mcfarland. Visuals: Judith Sandiford. Photo left Tanis and Grace.

Behind the Kiln #5, Thursday March 10, 2011, pwyc. Due to popular demand these are now monthly, second Thursday (day before Art Crawl). Hosted by dancer Tanis MacArthur and video jammer Judith Sandiford. Participants: Liz Bates, Maxine Heppner, Grace Loney, Jenny Rae, Jennifer Lockman, Orange McFarland, Matthew Van Allen, Tanis Macarthur, Justine Lanza, Alison Novak, Ron Weihs, Judith Sandiford.

Behind the Kiln #6, Thursday April 7, 2011 at 8 pm: Movers: Grace Loney, Liz Bates, Jenny Rae, Laura Kappel, Victoria Slager (Runaway Brides), Tanis MacArthur.
Sound makers: Jennifer Lockman (piano), Tom Shea (guitar/spoon/etc.), Orange McFarland (double bass), Jenny Rae (saw), Ron Weihs (violin), Gordon Odegaard (various). Video jammer: Judith Sandiford.

Behind the Kiln #7, Thursday May 12, 2011 at 8 pm, pwyc , thrilling and unpredictable  evenings of real-time collaborations between dancers, musicians and visual artists. Theme “EchOes” Participants: Sounds: Tom Shea, Jennifer Lockman, Orange Mcfarland, JonGordon Odegaard, Ron Weihs. Moves: Grace Loney, Jenny Rae, Liz Bates, Rose Gowling, Victoria Slager, Tanis Macarthur and a ‘maybe’ from our juggler Lacey Cameron. Visuals: Judith Sandiford. 

Behind the Kiln #8, Saturday June 11, 2011 at 8 pm, $5. We are delighted to have two of the best improvisers in Canada as our guests for a special “Behind the Kiln”. Eugene Martynec, laptop improviser, and Nobuo Kubota, sound poet, will kick us into very high gear. The rest of us will also be there to provide the movement, visuals and more sound. [Photo: Eugene Martynec, Nobuo Kubota, dancers Victoria Slager and Tanis MacArthur, plus a Steel Image by Shane Turcott manipulated by Judith Sandiford.]
Movers include Liz Bates, Tanis Macarthur, Jenny Rae, Victoria Slager. Sound from Jennifer Lockman piano, Tom Shea guitar, Orange McFarland upright bass.

Behind the Kiln #9, Thursday July 7, 2011 at 8 pm, pwyc. Thrilling and unpredictable  evenings of real-time collaborations between dancers, musicians and visual artists. Participants Tanis Macarthur, Liz Bates, Grace Loney, Victoria Slager, Jennifer Lockman, Tom Shea, Andrea Frolic & video-jammer Judith Sandiford. [Image: dancer Andrea Frolic]  Behind the Kiln — it’s thrilling, it’s unpredictable, it’s unexplainable. Be there!

Behind the Kiln #10, Thursday Sept 1, 2011, 8 pm, pwyc. “Last fling of summer.” Last minute craziness. Our wildly unpredictable multi-media collaborations between dancers, musicians and a video-jammer, making it all up on the spot. We’re filling a gap the only way we know how — having fun and making magic. Come and join us. Coordinated by dancer-choreographer Tanis MacArthur. Participants so far: movers Liz Bates, Carissa Bowerman and sister, Tanis Macarthur (maybes from Rose Gowling, Victoria Slager); sounders Jennifer Lockman, Ron Weihs, Tom Shea; visuals Judith Sandiford

Behind the Kiln #11, Thursday September 15, 2011 at 8 pm, pwyc.  Organized by dancer-choreographer Tanis MacArthur and video-jammer Judith Sandiford. Movers: Jenny Rae (via skype from Thailand), Liz Bates, Rose Gowling, Paula Grove, Tanis Macarthur. Sounders: Jennifer Lockman, Ron Weihs, Orange McFarland.   Image right: live realtime duet Jenny Rae (in Thailand) and Liz Bates (in Artword Artbar), via skype and a web-cam. Wow! We did it! (photo Anne Milne)

Behind the Kiln #12, “ghOulish and dreAry”, Thursday October 13, 2011 at 8 pm pwyc. Movers and sounders for our “ghOulish and dreAry” evening: Victoria Slager, Anne Milne, Jennifer Lockman, Tom Shea. Orange McFarland, Tanis Macarthur, Liz Bates, Ron Weihs, Judith Sandiford. [Image left Sept 15: duet Tanis MacArthur, Rose Gowling, plus live web-cam, photo Anne Milne]

Behind the Kiln #13, Thursday November 10, 2011 at 8 pm pwyc. Always thrilling and unpredictable, our  evenings of real-time collaborations between dancers, musicians and visual artists, are a treat. Organized by dancer-choreographer Tanis MacArthur and video-jammer Judith Sandiford. [We did not record the doings on November 10. Image here shows the whole space in February 2011.]

Behind the Kiln #14  + Trio Arjento, Friday, February 10, 2012, from 8 pm on… (James North Art Crawl). Behind the Kiln part one, dance and music improvised before your eyes, featuring Tanis Macarthur, with the improvising orchestra, Trio Arjento plus friends. Second set, a concert by Trio Arjento members Jennifer Lockman piano, Tom Shea guitar, Orange McFarland stand-up bass. Last set, Behind the Kiln part two, more real-time collaborations with guest musicians (including Angela Macaroni on flute) and dancer/movers including Jenny Rae on a visit from Thailand, live video-mix by Judith Sandiford.

Behind the Kiln #15, Friday April 13, 2012, 7 pm-9:15 (James North Art Crawl): Behind the Kiln multi-media dance, music, video collaborations in real-time. Dancers include:  Olga Barrios, Liz Bates, Laura Reid, Victoria Slager, Grace Loney, Tanis Macarthur. Musicians include: Brier Pomfret, Ronald Weihs. Video vee-jaying by Judith Sandiford.

Friday April 13, 2012 turned out to be the final episode of Behind the Kiln. Tanis went off to become an aerialist! And Ron and Judith were busy doing four plays at The Lyric (2012-2013) as well as running our live music venue. In 2013 we decided to make our cozy little Artword Artbar into a space for our theatre work, with black walls and a stage lighting hang. Our first fully staged theatre show at Artword Artbar was Scroogissimo! in December 2013.


In June 2014,  we started up a new series of dance and music collaborations we called Big Dance Little Stage, hosted and curated by dancer-choreographer Learie Mc Nicolls.

Posted in 2010 at Artword, 2011 at Artword, 2012 at Artword, Dance | Comments Off on Behind the Kiln, 15 episodes from 2010 to 2012

Tobacco Troubadour, April 15-26 & July 3-4, 2009

Tobacco Troubadour, a new play with music about growing up in tobacco country and its lively dance hall scene, is the fourth show in Artword’s 2008-09 season at The Pearl Company, April 15-26, 2009.
The show is based on the songs of J.P. Riemens, with script and direction by Ronald Weihs, design by Judith Sandiford. Performed by the Artword Theatre Ensemble: Paula Grove, Tanis MacarthurGordon Odegaard, Ryan Sero.
Music performed by J.P. Riemens & The Barflies (J.P. Riemens vocals/guitar, Carrie Ashworth string bass, Linda Duemo drums, Brian Griffith lead guitar)

*April 15-19, 23-26: Thurs, Fri & Sat at 7:30 pm, Sun at 2:00 pm. The Pearl Company, 16 Steven St, Hamilton.
This is an Artword Cultural Projects production supported by

 


*AND a remount in Delhi, Ontario (heart of tobacco country) on July 3 & 4, 2009 (poster above) at the Backstage Capitol Theatre, 93 King Street, Delhi, Fri & Sat, July 3 & 4, 2009, at 8:00 pm, Tickets: www.BackstageCapitol.com


Gordon Odegaard, Paula Grove, Ryan Sero, Tanis Macarthur, in rehearsal, w. JP Riemens on guitar.

Artword’s new show Tobacco Troubadour, tells the story of a musician in the making, as he grows up in tobacco country. The story weaves in and around a number of songs composed by JP Riemens.
The story is a rich and colourful history of strong-willed individuals with a great capacity for survival – survival with style, pride and a great sense of fun. They worked hard and played hard. The parties on a Saturday night are legendary.

 


Tanis Macarthur and Ryan Sero in rehearsal

Roosevelt’s Dance Hall by J.P. Riemens (copyright)

Along tobacco road, back in 63
There was my mom, my dad, my sister and me,
Mama worked the table and daddy worked the land
Sharecropper’s wife and a hard-working man.

Well, my dad played in the local band,
Drums and bass and accordion,
A little bit of fiddle and a guitar too,
And a good-lookin’ singer in a cowboy suit.

It’s oh my, wouldn’t it be nice,
To take a little trip through the pages of time.
Put the cooler in the oldsmobile, come on let’s ride,
It’s a Roosevelt’s Dance Hall Saturday night.


The Tobacco Belt is the area southwest of Brantford, to the north shore of Lake Erie, centered on Norfolk County. Delhi and Tilsonburg are in the heartland of tobacco country. In the 50s and 60s, the cash crop of choice was tobacco. It grew well in the sandy soil here. And the demand for it was high – back then..

J.P. Riemens, photo by Kyle Weir

JP Riemens grew up in tobacco country. He was working on a tobacco as a boat-driver when he was 12. He went on in his late teens to become one of the most sought-after kil’ hangers in the area. When the season was on, there was plenty of work. There were the jobs for the kids, jobs for the ladies, the jobs for the daredevils, and the all-night jobs with lots of waiting and beer drinking. There were the factions – the Francophones from Northern Ontario, native people from the nearby Grand River communities, and European immigrants from Belgium, Poland or the Ukraine.

And there was always the music. On a Saturday night, everyone, including the kids whose folks played in the bands, went to the local dance hall. People packed their own coolers in their trucks, left out in the parking lot. There was the Roosevelt Dance Hall in Langton, The Summer Gardens in Port Dover, The Hillcrest Hall in Simcoe, The Highlands in Long Point, The Silver Hill, The Stork Club.

Both JP’s stepfather and his Francophone godfather, Paul Vincent, were musicians. Paul Vincent was leader singer and played lead guitar in a band called The Continentals. His stepfather was an accordion player. The music – it was what JP calls “outlaw music” – was Texas western swing, Bob Wills, Hank Williams, and anything that got them out on the dance floor for the two-step.

JP bought his first guitar, for $15, with some of his early tobacco earnings. He mostly taught himself to play. Since he didn’t have access to many songbooks, he figured he had to make up his own songs, and so he did.

Tobacco Troubadour is a passionate story about hard work and great music, and the willful and wonderful people who did both. As the plot emerges and develops, we see the human cost of the economic decline of the region.

The crop that drove the economy in this area for over 60 years has fallen out of favour, for good reason. The communities that thrived in the tobacco hey-day now struggle to reinvent themselves. But what the farmers are going to do now – that is another story.

For more about J.P. Riemens and his music, visit http://www.jpriemens.com/  and http://www.myspace.com/jpriemens


Background: Artword Theatre’s season 2008-2009

The fourth show in Artword’s 2008-2009 season in Hamilton is Tobacco Troubadour, a new play based on the songs and stories of J.P. Riemens (of J.P.Riemens and The Barflies), about growing up in Ontario’s tobacco country and its lively dance hall scene. The other shows: Sunamabeach a new show by Charly Chiarelli, an irreverent look at Hamilton, March 25 to April 5, 2009.  Rascals and Numskulls (Feb 12 to 22, 2009), a now original work written and directed by Ronald Weihs, tells the thrilling adventures of Robert Land spy for the British in the American Revolution, friend of Mohawk leader Joseph Brant, United Empire Loyalist, first white settler in Hamilton, performed by the Artword Theatre Ensemble, with music by Gary Santucci. You Are What You Do, an original musical by Ronald Weihs celebrating the lives of working people, launched the season in October 2008 to rave reviews and remounted in December.

Background: Artword Theatre and The Pearl Company

Artword Theatre, the creative team of director Ronald Weihs and designer Judith Sandiford, has been producing original theatre since 1993. Until 2006, Weihs and Sandiford operated a facility (Artword Theatre and Artword Gallery) in downtown Toronto, when their theatre was closed to make way for a condo. After 12 years in downtown Toronto, Artword has pulled up stakes and moved to Hamilton in 2007. In 2008 they teamed up with Gary Santucci and Barbara Milne at The Pearl Company.

The Pearl Company is an arts and performance facility owned by guitarist and composer Gary Santucci and arts activist Barbara Milne, located at 16 Steven Street in the heart of the Landsdale neighbourhood of downtown Hamilton. Renovated in 2006, the facility has devoted two of its three floors to the arts. The Pearl Company has launched a number of arts initiatives, including the well-known Art Bus two Fridays a month, the Opus Mundi Festival, theatre workshops and productions, concerts and events and outdoor festivals. For more information about The Pearl Company, visit www.thepearlcompany.ca.

Posted in 2008-2009 at The Pearl, Tobacco Troubadour | Comments Off on Tobacco Troubadour, April 15-26 & July 3-4, 2009